A film by Habibata

Each braid, each curl, each hairstyle reflects a collective memory. 1001 Crowns immerses you in an experience where hair becomes an act of self-affirmation and identity. By giving voice to historians, sociologists, dancers, hairdressers, and contemporary women, the film offers an exploration of the history and evolution of African and Afro-descendant hairstyles from the ancient civilizations of the continent to the contemporary expressions of the diaspora. From the scourge of slavery to emancipation, from civil rights struggles to the rise of Black Pride movement in today’s popular culture, these hairstyles stand as a testament to a rich heritage with deep cultural, social, and economic impact.

A vibrant illustration of a Black woman with a regal expression, wearing a gold crown and large, circular orange and yellow earrings. She has two distinct hairstyles: on the left side, her hair is a voluminous mass of swirling, stylized curls, and on the right side, it is styled in long, intricate cornrows. The background is a solid golden-yellow.

Trailer

CREDITS

A Film by HABIBATA OUARME, Production by HABIBATA OUARME, Executive Producers ALEXANDRINE TORRES DE FIGUEIREDO ET BYRON A. MARTIN, Cinematography RICARDO DIAZ, ANDRÉ DUFOUR, JIM DONOVAN ET JUOZAS CERNIUS, Editing by BOBAN CHALDOVICH, Infographie BOBAN CHALDOVICH, Production Management DEAN BERNARD, MARTIN ULRICH, Written and Directed by HABIBATA OUARME, Post-production Supervisor OMAIMA ATYAOUI, Post-production Supervisor OMAIMA ATYAOUI, Post-production URBAN POST, Sound Design LUKA TOMA, Original Music BENOÎT GROULX ET CHIHIRO NAGAMATSU , Archive Producer MARIKA LAPOINTE, After Effects ALPHA CHANNEL FX, Poster by GERDA BOATENG, Autor & Slam poet ABINA RONY, Produceed by © 2025 KOROMOUSSO MÉDIA INC.

A close-up, cropped shot of a person of color looking directly at the camera. The person has a thick, textured updo with red, clay-like beads woven into the braids and wrapped around the base of the hairstyle. There are small, golden hair accessories interspersed throughout the braids. A thin, black line is drawn from the corner of their left eye down toward their cheek. The background is a solid, bright green.

Where to watch

STREAMING OR ONLINE

Watch 1001 Crowns online on our official platform.

SCREENINGS & EVENTS

Experience the film at festivals, premieres, or special events. Check address, date, and time.

Coming Soon!

Habibata Ouarme, the Filmmaker

Habibata Ouarme is an emerging filmmaker and activist whose work explores profound themes of human rights and cultural identity. Her documentary “KOROMOUSSO - (Big Sister), produced by the NFB and co-directed with Jim Donovan, offers an intimate perspective on the issue of female genital mutilation.
The film had its world premiere in 2023 at the Human Rights Watch Film Festival in Toronto, and continues its journey with the same festival, London and New York editions.
She is also developing her next feature, and first fiction film, Tonton Ahmed, as writer and director. Beyond her film work, she is actively involved in social initiatives, reinforcing her commitment to the representation and valorization of African and Afro-descendant communities. She also collaborates with several national and international organizations on issues related to women's health and rights.

Director’s Statement

As our societies become increasingly interconnected and culturally diverse, many people want to discover their roots, celebrate their heritage and understand their place in the larger story.
As a filmmaker and activist, my work is driven by a deep commitment to social justice, cultural identity and the empowerment of African and Afro-descendant communities. I strive to give a voice to those who are heard too little, to tell stories that question established norms, and to create safe spaces where everyone can recognize themselves, feel represented and valued.
Through my work, I hope to shatter preconceived ideas, inspire empathy and celebrate beauty, resilience and living together. I was able to see the concrete impact a film can have with Koromousso (Big sister), released in 2023. This documentary continues to circulate in communities and remains a powerful tool for raising awareness, both in Canada and internationally.
In many cultures, hair and the head represent something sacred. From an early age, I was taught not to allow just anyone to touch my head. But like so many other black women, I quickly realized that society didn't always respect this reality. Unsolicited hands and biased beauty standards reveal just how politicized our bodies are.
So it's crucial to break down the barriers and give women the freedom to choose and style their hair as they wish, in a system that has long been difficult for them to navigate and still persists. And to change all this, we need to educate ourselves, inform and raise awareness in order to combat ignorance.
This film is an invitation to better understand the realities, struggles and rich identities of Afro-descendant women. In a Canadian society founded on multiculturalism, fostering a better understanding of diversity is essential to building bridges between communities. I hope that this film will inspire young people to love themselves more, to celebrate themselves fully and to be proud of their cultural heritage. Through this film, I want to encourage African and Afro-descendant women to explore their identity, reclaim their image and assert their beauty with pride.
In short, this film is an ode to the girl, to the black and Afro-descendant woman. A celebration of our strength, our history, a celebration of our crowns!

A four-panel group photo showcasing four different portraits of Black women, each with a unique hairstyle and cultural attire. The leftmost panel shows a young woman in traditional garb with a staff, against a purple background. The second panel from the left features a woman with blonde braids and a patterned jacket, against a peach background. The third panel shows a woman with an intricate braided hairstyle and a colorful dress, against a green background. The rightmost panel shows a woman with a large sculptural updo and a vibrant, patterned outfit, against a golden-yellow background.
A four-panel group photo showcasing four different portraits of Black women, each with a unique hairstyle and cultural attire. The leftmost panel shows a young woman in traditional garb with a staff, against a purple background. The second panel from the left features a woman with blonde braids and a patterned jacket, against a peach background. The third panel shows a woman with an intricate braided hairstyle and a colorful dress, against a green background. The rightmost panel shows a woman with a large sculptural updo and a vibrant, patterned outfit, against a golden-yellow background.

Participants

1001 CROWNS features interviews with sociologists, hairdressers,
historians, dancers, entrepreneurs, journalists and other experts,

A professional headshot of Dr. Afua Cooper, a Black woman with a warm, gentle smile. She wears a solid, light green headscarf wrapped around her hair, large silver earrings, and a black top. She is seated in front of a bookshelf, suggesting a library or study setting.

Afua Cooper

Afua Cooper is a distinguished Canadian scholar, author, and artist whose work spans history, poetry, fiction, and children’s literature. She is the author of 13 books and a leading authority on Canadian slavery and Black Canadian history. Her acclaimed book The Hanging of Angélique fundamentally reshaped public understanding of slavery in Canada and the Atlantic world.

Recently appointed to the University of Toronto Scarborough, Dr. Cooper previously held the Killam Research Chair in Black Canadian and African Diaspora Studies at Dalhousie University. There, she founded both the Black Canadian Studies Association and the Black and African Diaspora Studies program—major contributions to the field of Black Studies in Canada.
She has curated ten historical exhibits, including A History Exposed: The Enslavement of Black People in Canada, the country’s first national exhibit on Canadian slavery, opening at the Canadian Museum of Immigration at Pier 21 in August 2024.

In addition to her academic work, Afua Cooper is a celebrated poet and a founding figure in Canada’s Dub Poetry Movement. Her recent poetry collection, The Halifax Explosion, was widely acclaimed. She has received numerous awards, including the Portia White Prize, the Nova Scotia Human Rights Award, the Harry Jerome Award, and the Royal Society of Canada’s J.B. Tyrrell Historical Medal for her outstanding contributions to Canadian history.

Dr. Cooper has also held a fellowship at Harvard University’s Warren Center and serves on UNESCO’s Slave Route Project. Her archives are preserved at the Thomas Fisher Rare Book Library at the University of Toronto.

A candid portrait of Juliette Smeralda, a woman with dark, curly hair wearing oversized square-rimmed glasses. She is sitting in a room with a light-colored wall and some decorative artifacts in the background. She is wearing a rust-colored button-up shirt over a lace-trimmed tank top, and a long, multi-strand beaded necklace. She is looking slightly to the side with a serious expression.

Juliette Sméralda

Juliette Sméralda is a sociologist and lecturer at the University Institute for Continuing Education (IUFC) at the University of the French Antilles in Martinique, and an associate researcher at the CEREGMIA laboratory. Her research focuses on the sociology of dominance, racial and gender discrimination, interethnic relations, and the African cultural heritage in the Caribbean.

She holds a PhD in sociology and is accredited by France’s National Council of Universities to teach at the university level. She has published extensively, including influential works on the sociocultural and psychological effects of hair straightening among African and Afro-Caribbean communities. Her analysis links this practice to the legacy of slavery, a perspective recognized by UNESCO during the 2011 International Year for People of African Descent.

Her best-known book, Peau noire, cheveu crépu : l’histoire d’une aliénation, presented at the 2005 Boucles d'Ébène expo in Paris, explores the identity alienation caused by colonization and slavery. Sméralda also examines interracial relationships, particularly Black/White and Black/Indigenous couples in the French Caribbean.

Her wide-ranging work touches on acculturation, métissage, and interculturality. She has contributed to journals such as Revue des Sciences sociales, Marges, and Cahiers de sociologie économique et culturelle, and frequently participates in academic conferences.

A formal portrait of Martine Musau Muele, a Black woman, seated and looking off-camera. She is wearing a light, cream-colored blazer over a pale grey top and has her hair styled in a low bun. In the background, to the left, is the flag of Canada, and to the right is the flag of Quebec. The setting appears to be a formal office or government building, with polished wood paneling.

Martine Musau Muele

Martine Musau Muele is the President of the City Council of Montreal and City Councillor for the borough of Villeray Saint-Michel Parc-Extension. She is also a lawyer and founder of the boutique law firm Muele, which specializes in public policy and administrative law.
After earning her law degree from the University of Ottawa, she gained extensive professional experience both in Quebec and internationally. A former member of the Canadian Armed Forces for nearly eight years, she also completed legal attaché assignments with international organizations, including the International Committee of the Red Cross in Geneva.

Martine Musau Muele has held senior leadership positions in two municipalities and has also worked as a private practice lawyer, providing frontline legal support to senior executives and elected officials on matters related to municipal law, public contract law, public consultations, ethics and governance, access to information, and privacy law.

She is a dedicated legal professional who is passionately committed to helping local and central governments as well as organizations develop effective strategies and policies that meaningfully improve the lives of the people they serve. A lover of the performing arts and cinema, she also has a number of credits in theatre, film, and television.

A portrait of a smiling woman with light skin and a mass of curly, light brown hair. She is wearing a light-colored top, thin gold chain, and large gold hoop earrings. She is looking directly at the camera and appears to be in an office environment with desks and computer monitors in the blurred background.

Isabelle Massé

Isabelle Massé is a veteran journalist at La Presse, where she has worked since 1996. With a background in urban planning and journalism, she specializes in business, society, and culture. She has written for several major outlets and is the author of two books, including a biography of Normand Brathwaite. Massé was named Written Press Journalist of the Year at the 2020 Dynastie Gala and continues to be recognized for her work promoting diversity and mental health in journalism.

A professional photo of Keithy Antoine, a Black woman with long, braided hair adorned with shells. She is sitting on a chair, smiling at the camera in the middle of a clothing store. She is holding a colorful, woven fan. The store is filled with racks of clothing featuring vibrant patterns and textures.

Keithy Antoine

Keithy Antoine, a QuebeckerKeithy Antoine .jpeg of Haitian origin and mother of two, defines herself as a citizen of the world. Multidisciplinary, she works in the fields of urban culture, media, visual art and entrepreneurship. Keithy has worked in radio and television since 1998, and is currently a member of the Pa t'mentir animation trio. A professional illustrator and visual artist, her work has been exhibited internationally. She also has several permanent art installations in Montreal and is a member of the Afro-descendant artist collective WECANERS.

Driven by her social and community commitment, in 2019 she founded Union Urbaine (union-urbaine.org), a cultural and social organization now based in Montreal's Plaza St-Hubert under the name STYL'AFRIQUE, a workshop-boutique dedicated to sewing, creative workshops and Afro-Urban fashion.She is also coordinator and manager of Ateliers3333, a studio building for professional artists located in Montreal's Saint-Michel district.

A candid, professional photo of Clara D. Lewis, a Black woman with her hair in neat, braided twists. She is smiling and looking slightly off-camera. She is wearing a dark, teal-colored sweater with black polka dots, large tortoiseshell glasses, and a pair of large silver hoop earrings. She is standing in what appears to be a warehouse or storage room, with shelves of dolls in plastic bags visible behind her.

Clara D. Lewis 

Clara D. Lewis is a Montreal-based social worker and the founder of Brown Diva Dolls, an inclusive doll brand launched in 2019. Inspired by her work in social services and her own identity journey, she designs dolls that reflect the diversity of Black and racialized children. Now distributed in several stores, her brand promotes representation, self-esteem, and inclusion through over 25 models featuring a variety of skin tones, hair textures, and styles

A portrait of a Black woman, Stephanie Odia, wearing glasses and an apron over a black hoodie. She has her dark hair styled in long braids with some strands pulled up in a bun. She is looking off to the side and appears to be in a professional setting, possibly a hair salon, with a chair and mirror visible in the background.

Stéphanie Odia

Hairstylist specialized in Afro hairstyling and trainer at L’inis, Stéphanie Odia Kalonji has been passionate about hairstyling for over 20 years, with a focus on Afro hair, particularly very tightly coiled curls. She has collaborated with prestigious brands such as Tommy Hilfiger and SSENSE, building a strong reputation in the industry. Since 2020, she has been the owner of Odia le Salon Académie, where she combines her two passions: hairstyling and teaching.
With a background in nursing, she applies the principles of listening and kindness learned in her training, offering a learning experience that is both compassionate and enriching.

For the past five years, Stéphanie has shared her expertise between her salon, teaching, and film sets. She has contributed to various cinematic projects, including Lakay Nou, Après le déluge, Basket, The Bingo Sister, and Célestine.

A photo of three smiling Black women, seated side-by-side, from left to right: Catherine Brafine-Dieye, Audrey Belleau, and Annaelle Adaine Jean-Pierre. The woman on the left is wearing a patterned dress with orange, black, and white circular motifs. The woman in the center is wearing a white dress with a patterned, flowing kimono. The woman on the right is wearing a vibrant orange sundress with a tie-dye or floral print. All three are smiling and appear to be in a retail shop with shelves of products in the background.

Catherine Brafine Dieye 

Catherine Brafine Dieye (left) has a rich and diversified experience acquired within agencies and companies in sectors as varied as they are interesting: tourism, beauty, personal services, employment, public service, communities, agri-food and e-commerce.

This diversity of fields has enabled her to develop a multi-sectoral expertise, enrich herself through contact with inspiring personalities and successfully lead numerous projects, thanks to her keen sense of human relations, natural curiosity and a touch of audacity. Today, she offers her services to all types of companies and organizations, for one-off assignments or long-term collaborations.

A photo of three smiling Black women, seated side-by-side, from left to right: Catherine Brafine-Dieye, Audrey Belleau, and Annaelle Adaine Jean-Pierre. The woman on the left is wearing a patterned dress with orange, black, and white circular motifs. The woman in the center is wearing a white dress with a patterned, flowing kimono. The woman on the right is wearing a vibrant orange sundress with a tie-dye or floral print. All three are smiling and appear to be in a retail shop with shelves of products in the background.

Audrey Belleau

Audrey Belleau (middle) is the creator of Atanga, a natural cosmetics brand. With a BTS diploma in aesthetics and cosmetics, she launched products made from mango butter, coconut oil, and aloe vera in October 2021 after a successful crowdfunding campaign.

Like Obélix, Audrey grew up immersed in cosmetics thanks to her family: her mother opened the first cosmetics store in Martinique, her father founded a cosmetics laboratory, and her grandmother, passionate about beauty, shared nurturing skincare and haircare rituals with her as a child. With over ten years of experience making cosmetics in Martinique, Audrey now focuses exclusively on her own natural product line. Atanga’s mission is to create natural cosmetics that transform skin and hair, promoting well-being for users. The brand’s first line, Origine, pays tribute to her grandmother’s traditional knowledge and methods. Atanga’s values reflect the personal and shared principles of Audrey and her team

A photo of three smiling Black women, seated side-by-side, from left to right: Catherine Brafine-Dieye, Audrey Belleau, and Annaelle Adaine Jean-Pierre. The woman on the left is wearing a patterned dress with orange, black, and white circular motifs. The woman in the center is wearing a white dress with a patterned, flowing kimono. The woman on the right is wearing a vibrant orange sundress with a tie-dye or floral print. All three are smiling and appear to be in a retail shop with shelves of products in the background.

Annaëlle Adaine Jean-Pierre

Annaëlle Adaine Jean-Pierre (right) is the Hairstylist and ambassador for the HairParty workshops.

A professional photo of Pascale Lavache, a Black woman, sitting in a chair as she gets her hair braided. She is looking to the side, wearing a protective cape over her shoulders. Her hair is a voluminous mix of loose, brown curls and small, dark braids.

Pascale Lavache

Pascale Lavache is a plus-size model, blogger, and host based in Montreal. Known for promoting body positivity and diversity, she is the voice behind Curvy Pascale, where she shares fashion and wellness tips. She is also a passionate advocate for inclusion in media and fashion.

A professional photo of Lil Afro Krew, a group of nine young dancers of various ethnicities, posed on a stage with a large, glowing star in the background. The dancers are dressed in matching outfits featuring pleated gold skirts, and blue and orange patterned tops. They are all barefoot and smiling at the camera.

Lil Afro Krew

Lil Afro Krew and their choreographer Kelly Arkorful participated in the first season of Quel Talent. Check out their work at https://academiedansemontreal.com/accueil/

Special Mentions

Marie Rose Tshilanda , Betty Annan, Deniece Michel, Alexia Manfon, Enohor Obaze, Felicia Amanda Garcia, Julissia Mccalla, Kadiatou Keita, Lavern Chambers, Zyanna Rodrigues-Wishart, Sabrina Chabibi, Jeinnie Paredes Brito, Rokya Coulibaly, Abigaëlle Destiny Jean-Pierre, Kayliah Shanna Raphaël,, Dieye Norah, Rachelle Bleziry, Billard Ava, zephia Nelya, Billard Victoria, Billard Norah, Julia Ivy, Fabienne Colas, Ettyaka Tabiget Studio, Rosidor Schamma, Marie Louise Mumbu,Tanoé Stéphanie, Fatim Kallo, Antitone Isabelle, Goli Sainte Alix Karelle, Weva Kaji, Baldé Mariama, Kafil Oumalker Odil, Jean-Jacques Michelle, Pamela Hogu Denis, Alexandre Boucher Linda, Lavern Chambers.

Production Company

KOROMOUSSO MÉDIA Inc.

Watch Soon on www.tfo.org/